30 (7/12): Pod
July 14, 2011
29 (7/11): Six creases
July 14, 2011
28 (7/10): Poor man’s Mooser
July 14, 2011
27 (7/9): Fractal bat
July 9, 2011
26 (7/8): Twist Pyramid
July 8, 2011
25 (7/7): Simple twist
July 7, 2011
Halfway through the project, it still feels like I just started. Unlike last year’s 50 Waves, I went into this one without a precise idea of what to do, other than rely on nails as much as necessary to produce interesting shapes and surfaces. There are at least two “series” emerging here, one using twisted pleats, the other spiral pleats. Twisted pleats are a device I used before, but in the context of pleat tessellation bowls, and with one exception (in which the twisted pleats are not even visible), I had always fully flattened square twists at pleat intersections. I am happy about the progressive “contrary motion” pieces and have already folded a larger tessellation-style pattern, but there is much more to do.
I had never seriously thought about spiral pleats, and all the pieces so far that use them are very simple, but they are simple to form and very flexible, as long as one doesn’t mind using long rectangles.
24 (7/6): Möbius
July 7, 2011
23 (7/5): Alchemy
July 7, 2011
Another trick using a long strip and spiral pleats. A similar helix shape is the result of interleaving a pair of pleat sequences as in the Infinite twist, but simple spiral pleats are easier and quicker. The sheet was formed by gluing back to back a pair of metallic paper strips, one copper the other gold color (whence the title of the piece).